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"Take your needle, my child,

  • and work at your pattern —
    it will come out a rose by and by.
    Life is like that . . . one stitch
    at a time, taken patiently."
    — Oliver Wendell Holmes

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  • 2005-2008 by Alicia Paulson
    All rights reserved. Please do not use my original photos or reprint my writing without asking me for permission. Thank you!

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May 07, 2008

Anyone know what this is?

Fabric

Well I mean, does anyone know who makes this fabric, or what it's called, or, more importantly, where I can get another half yard? It's much prettier in real life than this yucky scan, and it's a gorgeous weight, like lawn. Wait — is this from Mill End Store? Ack. If you recognize this fabric, will you let me know? I need a bit more to finish something and am blanking.

Thank you for all the sweet bike ride comments, and the recipe card thanks, and the Cranford weigh-ins! I did love it. My favorite line was, "That cow is like a daughter to me!" I also loved "And now . . . anemones." That was wonderful. Can't wait 'til next week.

Eeeenywho, egads I have a lot of catching up to do. Lots of email to answer, so if you're waiting to hear from me, it might just happen this week. Might just happen!

March 26, 2008

Oh, Scrap!

Calicoandgingham

I thought this looked pretty, all these little calico croissants, stacked and waiting. That little rotary cutter has had a workout, and you know what that means? SCRAPS. The scrap basket is exploding. Overflowing. All the scraps from the book and from these kits — mostly all cotton prints, calicos, ginghams — I think I'll bundle them up again and put little bags of them in my web shop after I get the kits shipped out. I think the scraps are pretty good, better than the ones I had last time. I'm trying to stay more in control of the areas of the house that are overflowing. It's driving me crazy. (Added later, after reading the comments: Please note: The photo above shows the fabric bundles cut and ready to go into the doll-pin kits, NOT the scraps. The scraps from leftover from these bundles will be made available but they will look like they were first thrown across the room and then tossed in the salad spinner. They will not look like croissants. Just sayin. I won't be folding the scraps. I'm crazy but not that crazy.)

Today I'm hanging out with my friend Marlene, who I knew ten years ago when we both worked together at GACPC. Marlene is the editor of Beadwork magazine now, in town for the Bead Expo this week. I hope I get time to go to that this weekend, too! My house is a total mess. We did go for a walk yesterday after dinner. The light was amazing. The sun was setting and it was raining at the same time — rainbow conditions, and I did see one very faint one on the way home. I will be interested to see the photos, since they were mostly taken in the rain, while wearing my glasses, which were absolutely dripping, so I couldn't actually see anything, etc. But I did point the camera around at stuff, so I'll have to upload those pictures later and see what develops. I tried to take a picture of Clover standing next to a clump of clover but she was zigzagging all over the place like, "What are we doing!!! GO!!!" Bossy miss. I need to set my ISO to 1600 to get that dog. I hope I was able to get that glowy light, though. You never know. Sometimes you get it, sometimes you don't. It was yellow and gray. Love that.

March 24, 2008

Miss Pettigrew Lives for a Day

Misspettigrewlivesforaday

About a year ago now, maybe, Jane sent me one of her favorite books, Miss Pettigrew Lives for a Day by Winifred Watson, published by the fantastically wonderful Persephone Books. I saw the preview for the movie on TV a few weeks ago and couldn't wait to see it. This sweet confection was so worth the wait and just what I needed! I highly recommend it. And I want hair just like Delycia's. Notice that the color of her suit here is Persephone grey? Double-delish.

Last week was crazy! I can't believe it's Monday already. Thank you again for all the orders — we have close to 200 to fill this week, so things will be busy busy around here. I closed all the orders on Friday afternoon, but I will make the kits and probably a few dolls available again after we catch up here. I want to make sure I can get everything out by the date I promised and we'll be hard pressed this time! So, when I'm all caught up I'll take an inventory and put at least the kits back in the shop. Thank you!

I have all sorts of catching-up things to do today. We need groceries desperately. I have to go to the library. But all I can think of is making a random-square patchwork quilt out of every one of these. Wouldn't that be the prettiest thing in the world? I can't stop thinking about it. Naturally, when I have absolutely no time for such things. Isn't that always the way. There must be a reason for that. As soon as your mind is occupied with something else, these little flowers come creeping in.

March 18, 2008

Oh, Snap!

Look who it is! The Country Girls!

Pindollgroup

Oh yes, they're ready to go! The computer [after I yelled at it/threatened flight/took a shower/successfully deleted 33,000 "deleted" messages] had one look at these girls and started working properly — it was a clothespin-doll miracle. So the Country Girls themselves, as well as kits to make them, are in my web shop, waiting for you. I'll take as many orders for these as come in this week, so that's why I'm springing them on you.

Each finished doll comes fully painted, varnished, and dressed, with a hand-embroidered apron and a bouquet of paper flowers. Each girl is signed, dated, boxed, and ribboned, ready for giving.

Each kit has almost everything you need to make five dolls:

5 doll pins
5 doll-pin stands
5 doll head beads
(5) 8" square pieces of assorted calicos (for dresses)
(5) 5" square pieces of assorted ginghams (for aprons)
5 pieces beige pipecleaner (for arms)
15 miniature wired paper flowers
White embroidery floss (for embroidery and sashes)
Custom acrylic paint and varnish set
Full-color instruction cards
Dress pattern
Embroidery chart

You will need to have your own:

Scalloped or zigzag pinking shears
Regular scissors and embroidery scissors
Heavy-weight thread
Needle
Assorted paintbrushes, at least one of them fine-tipped
Glue
4" (10cm) embroidery hoop

Please note, though, that neither the dolls nor the kits will ship until the week of April 1. We will be ordering supplies for and putting together kits based on the number of orders that come in this week, just to make sure we get it right this time and don't have to place multiple orders. Also, we won't have the benefit of employing the most industrious half to Team Paulson (grandpa and mom) who were so effective in filling paint pots for the Lucia kits at lightning speed last Thanksgiving. But if you can be a little patient, I think you'll be very happy with these little kits and pretty girls!

March 06, 2008

Thank-You Flowers

Countrygirl1_2

Hi. These are for you, with love.

Thank you for the thousand small kindnesses, the pats and kisses and wishes, all the patience, the nods, for all the samenesses and the differences between us, all the miles and even years. Stories take so long to tell, sometimes. You tell them, sheepish, because here we go again. Occasionally it feels much like telling a dream — you're explaining, your listener's patiently indulging (kind-eyed: "Go on,"), and you're (still thinking you can get it right) scrambling to put your finger on it all. To what end, I'm not sure. Just to say, I think. Just to have been listened to. "We were in the backyard, but it wasn't the backyard, it was more like a ship, I think it was the Coral Sea, except that I've never been there, but yeah I'm pretty sure it was the Coral Sea."

And your listening friend goes, "Ah, yes, the Coral Sea," and bobs slightly, feeling small waves.

Thank you. xoxo

February 26, 2008

Picnic Skirt

Skirt1

I finished my smocked skirt yesterday, stitching up the sides and hemming it, attaching a strip of bias tape to the waistline, adding a zipper. I'm very happy with it, though it's still too cold to wear, I think (in spite of camellia evidence).

This skirt is from a different Japanese craft book than the bag and the apron; this one is ISBN 4-277-31151-2. But basically, this skirt is simple — just measure your waist and cut two panels using that measurement as the width, one for front, one for back. Then smock them all the way across the top for about four inches; my pattern gathers the 1/4" gingham fabric to about half of what I started with, but it's not exact, so I made sure to remeasure each panel before stitching up the side seams and putting in the zipper.

Skirtdetail2

Then I just zoomed around the top and attached a strip of purchased bias tape for the waist band. You could add a regular waistband here, too; that's how it was in the book. But I hate it when those things fold over (ahem) when I'm wearing them (ahem) so this little strip is fine. What I noticed when I tried it on is that it really had to fit kind of high on my waist to look right. I wound up having to take it in a little more before adding the bias tape to finish. It's not a hip-hugger skirt, it's more like a dancing skirt. It will also make your can look huge. Huger.

Skirtdetail4

The embroidery across the bottom is a classic thing called Chicken Scratch you see on a lot of vintage gingham aprons. It's just three strands of white floss, and straight stitches; to make what looks like white circles, you make sort of an open-cross shape with a white square in the middle, then go under each leg of the cross, around in a spiral, twice. For such a simple treatment, I think it looks so pretty. If you do this, I would definitely wait to do the embroidery until you are sure you've got the side seams right; since I had to take the skirt in further, after I put the zipper in (whoops), my embroidery is a bit off center. You can't really tell since it's all so gathered, but I'm waiting to do the embroidery last on the light blue one (yep, already doing another). Welcome to Alicia's Smocking Blog! I know, right?

February 21, 2008

Binding Tute

Binding1

I stopped the smock just long enough to bind a couple more dishtowels. There's something about binding the edges of things that I find very satisfying, though it does take some time, and a bit of practice. There are a few different ways to do this, but this is the way I do mine.

Binding2

When binding, you are basically creating a strip of fabric long enough to go around the all the edges of your item, folding that strip, then attaching it to the edge of your item. Since the edges of my dishtowels are straight, I'm using straight-grain-cut binding here. (If you were binding the edges of something curved, you'd use bias-cut binding ["bias tape"] made of strips cut at a 45-degree angle to the straight grain, which gives them the flexibility and stretch they'll need to go around curves. It is also more durable, having lots of threads running across folds instead of just one or two. Straight-grain binding, while less durable, is easier to handle and uses less fabric, so, you know — choices. Do what works for you.) With the help of a self-healing cutting mat and a clear plastic ruler, I cut enough strips (cutting perpendicular to the selvedge) so that, when they're stitched together at their short edges, they'll make one strip long enough to go around the circumference of the item I'm binding. Since I'm making binding that will ultimately be 3/4" when finished (before being folded again over the edges of the towel), I cut my strips twice this width, or 1 1/2", to accomodate the raw binding edges I'll be folding in. I stitch the strips, right sides together, at their short edges to make one long strip.

Binding3

When binding quilts and other straight-edged items, a lot of people press this long strip in half lengthwise, stitch the raw edges to the edge of the item, then flip the binding to the back and secure. I personally do not enjoy pressing that long strip in half legthwise; it always comes out wobbly for me and I'm just not very good at it, so I generally use a tape maker to make neatly folded "tape," and attach it as I would do if it were cut on the bias, by machine and by hand. But that's just me.

Tape makers come in lots of different sizes; they're readily available in the notions section of any fabric store. It's good to have a few in your sewing box. As mentioned, I used 3/4" binding for these towels, and that dimension refers to the width of the tape as it comes out of the maker, but before it is folded around the edge of your item. You just feed the strip through the maker, right side down, pressing it as it exits the small end. (To get it started, I usually push it into the tape maker then use an awl or a thicker pin to sort of fish it out the end.)

Binding4_copy

With the dishtowel right side up, lay the binding right side down with one raw edge even with the raw edge of the dishtowel. Start a few inches away from a bottom corner (flip the towel vertically, so you're working on the bottom edge first); the long strip of the binding will be trailing way off to your right. Pin the binding to the towel on the foldline (I am a vertical pinner), then machine stitch, starting about an inch from the beginning of the binding (we'll deal with this end later, don't worry), and stopping and backstitching 3/8" (the width of the seam allowance) from the corner (where I've drawn the red line).

Binding5 Take the long end of the binding and fold it straight up, perpendicular to the edge of the towel, pivoting at the point where you stopped stitching.

Binding6

Okay. Now fold it back down smoothly, keeping the fold (it's there at the top edge) even with the raw edge of the towel, and keeping the raw edges of the binding even with the raw edge of the towel on the right side. Pin and machine stitch, starting and backstitching right at the folded edge through all layers. Contine around the towel this way, stopping to repeat this process at all corners. When you get back around to the point where you started, cut the binding, leaving enough of an overlapso that you can stitch these two short ends together with a 3/8" seam; mark this point with a pin and stitch these ends; press open the seam allowance, lay the binding flat, and continue stitching down edge until you reach the point where you started. Overlap this point by a few stitches and backstitch to secure. Are you with me?

Binding7

You can trim the edges a bit with a rotary cutter if you need to, but these are pretty tiny so I didn't. Turn the towel over so the back side of it is facing you. Now you'll just fold the binding to the back side and pin it. To miter the corners, fold over and press one side smoothly.

Binding8

Then do the next side, keeping the edges of the corner smooth and sharp. Continue pinning the folded edges all the way around.

The nicest way to finish the back side is to  tack the binding to the back with slip stitches done by hand. If this is too daunting (it's a lot, and seven towels is a lot, too), you can stitch this edge by machine. It's more durable, so for a dishtowel it kind of makes sense. Match your thread to your binding (I didn't have any green like this yesterday, so mine is off-white), and machine stitch this edge with a scant 3/8" seam with the back side facing, so that you are stitching through all layers of binding neatly. You can also pin on the front side, then stitch in the ditch with the front side facing you, being sure to catch the binding on the back side in the seam. On binding this small, I tend to miss catching the back-side binding in the seam, so I usually do the less-neat thing and make sure I get it by having the back side facing me while sewing. I know there's a presser foot you can buy to apply binding this way to a finished piece this thin. Mabye I'll go get that today, even though I was just at the sewing machine store yesterday getting a new lightbulb and didn't think of it. Naturally.

Binding9

So that's it! Cute, huh? Now just six more to do!

February 20, 2008

Can't Stop. The Smock. Can't Stop the Smock.

Smockingapron3 More smocking. This is the Polish Pottery Apron. Maybe I'll try to get a better picture. All the smocking is finished and I just need to add the ruffle and the pocket and the ties and the waistband. There's not really even anything to say about it anymore, I know. Many local shoppers have written to say that both Marshall's and Ross have new shipments of Polish pottery around town. I did go out and get a little serving dish for $12 to satisfy my longing. Now if I can just haul my buns into the kitchen and actually cook something to put in it, that would be nice for all of us, probably!

A few people have sent me photos of the dishtowels they're working on and I'm so pleased to see them! I need to set up some new Flickr groups to accomodate, I know, I'm sorry. I will do that. I have some housekeeping stuff I need to be doing on my blog and sites and all that stuff. It's just hard to do that while you're, you know, smocking incessantly. And ya can't stop the smock. Just sayin.

Flickr has some cool photos tagged with "smocking." I am absolutely loving this one, especially the quilt she is sitting on. This one is awesome. This one's quite lovely. And these little white nightgowns with the blue are just dreamy. Naturally, there are also lots of pictures of people "smoking" here, too.

February 19, 2008

Prairie Smock

Prairiesmock4b

Over the weekend, I made a different kind of smock. A smocky tunic blouse. This is New Look pattern 6707 (* bought it and the fabric last fall and just getting around to making it now, so it might be discontinued but available at this link, I think). I combined views C and D. D had the shorter poufier sleeves and the ties in back. The C had no tucks on the yoke. I wore it all day yesterday and got some weird looks at the mall. But I guess this isn't really a mall outfit. It's what you'd wear while walking through a wheatfield, or with Wellies while carrying a basket of freckled eggs, and not shopping at Sephora? Maybe shopping at Crabtree & Evelyn. I could see that. I wish Laura Ashley still had stores in the U.S. I miss Laura so much. She's very different now.

Prairiesmock2

This blouse/dress reminds me of a dress I got at Pier One about twenty years ago when they used to have clothes. It was the summer between high school and college and I was working at TravelHost magazine in Chicago. It was a very rainy summer morning and I woke up very, very crabby. And late. And tired. Which was pretty typical of me then. My mom was going to drive me to the El. TravelHost was in a great location, at 6 N. Michigan Ave., and the Wabash El was only about two blocks away from the office. Not important. So my mom was waiting for me in the front yard, and I had on a new dress, long, cream colored with Indian embroidery. It was the first time I was wearing it. I crankily came out onto the porch, opened my umbrella, started going down the stairs and then immediately slipped and came crashing, loudly, with my umbrella and lunchbox, down the rest of them, landing in a muslin heap on the sidewalk. "Waaaaahhhhhhhh!!!" said I, mournfully. "Oh my gosh!!!" gasped my horrified mom, and ran over to help me up. My dress was sopping wet and muddy, and naturally I had landed right on top of an enormous red earthworm (sorry worm!), which smooshed into a big, bloody, gooey smear all over the front of my dress. So it was back inside to change out of the new dress, and I will tell you that the earthworm stain never came out. And I do seem to fall down on the porch a lot what is that.

Prairiesmock6

Usually I don't like things that tie in the back, but when it's sort of long like this over something it's kind of aprony and that's okay. I used little covered buttons in the contrast fabric. I also did all of the buttonholes by hand which I can tell you takes at least 417 times longer than doing them by machine. I am soooooooo bad at doing buttonholes by machine that I just parked myself and spent pretty much an entire movie doing the buttonholes, and I have to say they look very nice. I don't know if it was worth it, but I thought I'd give them a shot, just to see. Will probably try to get better on the machine, though. . . .

Prairiesmock5a_2

I have gotten more for-myself-inteded sewing, smocking, and embroidery done in the last month than I have in the past four years combined, I think. I'm starting to feel very guilty about it, not to mention very, very broke since I really need to update my web shop with new stuff, but I can't seem to stop indulging these impulses. This week, though. Must change. I kind of knew this would happen. The minute I finished the book it's like I just went completely berserker and started fourteen things for myself in about five minutes. I have finished quite a few things at this point. In order to get this much done, it's quite helpful to have no life whatsoever. That's pretty much how I do it, for those who have asked.

February 15, 2008

Smocking Is My Bag

I finished my smocking bag on Wednesday! Yay!

Smockingbag4I can't believe I actually finished something. I finished the smocking part over the weekend — it really does take a long time to pleat everything by hand, I will say; I think I used about four rows of pleating down the length of the design, and it was a whooooole lotta width. But I dig it. You can watch movies while you do it. I really enjoyed the process, and I do love the sweet, rustic, sort of fairytale way it looks.

Smockingbag2 The bottom is a little . . . . bulbous. Too poufy. A lot poufier than the bag from the book looks. I was trying to figure out how this could be; the thing starts as a rectangle, and the angled shape is made entirely from the way the top gets sucked in by the pleats. My final top width matched the dimension given in the book, though I didn't cut the original rectangle to the size specified because when I started it I was just kind of fooling around and thought, "Oh, I'll just start smocking this thing, I won't measure it." When I finished pleating the top, it turned out it was the exact dimension it was supposed to be and I thought, "Cool! Nice one. Lucky coincidence." You cut the lining to that final, pleated shape. BUT my bottom was crazy-wide and the shape of the bag looked really weird. Then I realized that the original bag was made of 1/4" gingham and mine was almost 1/2" — with gingham that big, a lot of extra ease gets sucked into each pleat, and it eventually adds up to quite a few inches. I wound up tacking the outside of the bag to the lining (you cut the lining with angled sides; it has no gathers) at the corners, so that the bottom edge could then just gather itself up between the corners and not go wigging out. If that makes sense. It's still a little poufier than I wanted, but I think it's okay. I'm already doing another one using 1/4" gingham and I have to say I think it will work a lot better, but it is harder to pleat by hand. We'll see what happens.

Smockingbag1

When I do it again, I'll do something else differently as well. When I stitch around the top, stitching the lining to the bag, I'll flip it so that the bag is on the outside and the lining is on the inside while I'm stitching. That way I can stitch straight on the line that is made by the stripe of the pleated gingham. Usually when I make bags I put the bag into the lining, with right sides facing (so the outside of the lining is facing me). Then I pin around the top through both layers, and just stitch. (I leave an opening in the side of the lining so I can pull the bag through when I turn it.) But my top seamline is not completely straight and it really shows against gingham. If you were stitching while looking at the actual gingham, you could follow the stripe and I think it would look better. Anyway, sewing talk.

Are you still here? Hello? Sigh. I could keep going, seriously. Here's some wallpapered closet door talk though.

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